Double Shot: Jason van Bruggen

Ontario-based photographer and filmmaker Jason van Bruggen has made a living working on intrepid stories in Canada and in some of the most remote and dangerous parts of the world. We asked him to pick two shots for our Double Shot photographer showcase, and write some lines about how and where he shot them.

“I’ve been spending summers in the Canadian North for much of my life,” says van Bruggen. “The last two years I’ve been shooting in the Sahtu Region of the Northwest Territories, which ranks up there with my favourite destinations on the planet. It’s got some of the most iconic paddling rivers in this country and endless remote hiking and exploring offered by the Mackenzie Mountains, as well as some unique cultural experiences. You can take a number of fully guided trips or get off the grid completely and keep it that way for as long as you want.

These shots are from two different trips, but both showcase the beauty and variable weather of the Sahtu.

Jason van Bruggen. jasonvanbruggen@gmail.com +1 416 856 5537
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This shot (above) is a tributary of the Keele River taken pretty late in the day, although you can’t tell because the sun never really sets at that time of year. There are so many paddling options in this region and the Keele is one of the most scenic Arctic rivers in Canada. It’s not overly challenging from a paddling perspective, but there’s loads of exploring you can do on the journey and the fly fishing is world-class.

jasonvanbruggen@gmail.com +1 416 856 5537
Click for full-size image.

This shot is of my buddy Cedar Jasiuk, who works as a wilderness guide in NWT. Here he’s booking it on the Canol Heritage Trail as an epic storm gathers behind him. The Canol is a 355-km route running from Norman Wells through the Mackenzie Mountains to the Yukon border. Because of its remoteness, length and challenging river crossings, it’s considered by many to be Canada’s most extreme hiking route. Like anywhere in the Mackenzies, you’ll often get the four seasons in one day, and we certainly did that day.

Shooting in the Arctic or sub-Arctic involves a number of additional variables, and is not for the uninitiated. Being unsupported and off-grid for weeks at a time, means you’ve got to have ample spare batteries, robust solar charging capacity, lots of memory-card space, spare parts, water-proofing and dust-proofing, as well as some pretty efficient protocols around equipment storage and transportation. Not to mention first aid training, measures around grizzly bear safety and all the other normal considerations. As I often film live action as well as take photographs on projects, the equipment requirements can be very onerous, even when limiting myself to a ‘light and fast’ approach and small team. Luckily one of my clients last summer was the airline (North-Wright), so we managed to get all the gear on the various flights we took to access the barren lands. Those fifteen or so cases made their way across the top of this country by every means of transportation imaginable including float plane, helicopter, jet boat, canoe, ATV, horseback and foot, as well as one or two I’m forgetting.”

Check out Jason’s video of his trip here.

Jason van Bruggen.
Jason van Bruggen.

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